۝ April Rain Song ۝

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April Rain Song
by Langston Hughes
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Let the rain kiss you
Let the rain beat upon your head with silver liquid drops
Let the rain sing you a lullaby
The rain makes still pools on the sidewalk
The rain makes running pools in the gutter
The rain plays a little sleep song on our roof at night
And I love the rain.

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۝ PABLO PICASSO 1881-1973 ۝

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Two Poems and One Painting 
by Pablo Picasso
~ ~ ~ ~ ~ ~ ~ ~ ~

    hasten on your childhood to the hour when white in memory blue borders white in its eyes very white and piece of indigo of silver the glances white cross cobalt the white paper that blue ink tears bluish away ultramarine descends that white may rest troubled blue in dark green wall green that writes its pleasure rain green clear that swims green yellow in the clear oblivion at the edge of its green foot the sand earth song sand of the earth afternoon sand earth in the comer a violet jug the bells the folds of paper a metal sheep life stretching out the paper a rifle shot the paper rings the canaries in the shade white almost pink a river in the -white space in the clear blue shade of colours lilac a hand at the edge of the shade makes of the shade in the hand a very rose-coloured grasshopper a root lifts its head a nail the block of the trees with nothing else a fish a nest the heat in full light looks at a sunshade light the fingers in the light the white of the paper the sun light in the white cuts out a sparkling eyeshade the sun's light the very white sun the intensely white sun
____________________________________________

in secret
be quiet say nothing
except the street be full of stars
and the prisoners eat doves
and the doves eat cheese
and the cheese eats words
and the words eat bridges
and the bridges eat looks
and the looks eat cups full of kisses in the orchata
that hides all with its wings
the butterfly the night
in a cafe last summer
in Barcelona

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۝ Morning Poem ۝

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Morning Poem 
by Paul Laurence Dunbar
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 

The mist has left the greening plain,
The dew-drops shine like fairy rain,
The coquette rose awakes again
Her lovely self adorning.

The Wind is hiding in the trees,
A sighing, soothing, laughing tease,
Until the rose says "Kiss me, please,"
'Tis morning, 'tis morning.

With staff in hand and careless-free,
The wanderer fares right jauntily,
For towns and houses are, thinks he,
For scorning, for scorning.
My soul is swift upon the wing,
And in its deeps a song I bring;
Come, Love, and we together sing,
"'Tis morning, 'tis morning."

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۝ City That Does Not Sleep ۝

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City That Does Not Sleep
by Federico García Lorca
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ 

In the sky there is nobody asleep. Nobody, nobody.
Nobody is asleep.
The creatures of the moon sniff and prowl about their cabins.
The living iguanas will come and bite the men who do not dream,
and the man who rushes out with his spirit broken will meet on the
street corner
the unbelievable alligator quiet beneath the tender protest of the
stars.

Nobody is asleep on earth. Nobody, nobody.
Nobody is asleep.
In a graveyard far off there is a corpse
who has moaned for three years
because of a dry countryside on his knee;
and that boy they buried this morning cried so much
it was necessary to call out the dogs to keep him quiet.

Life is not a dream. Careful! Careful! Careful!
We fall down the stairs in order to eat the moist earth
or we climb to the knife edge of the snow with the voices of the dead
dahlias.
But forgetfulness does not exist, dreams do not exist;
flesh exists. Kisses tie our mouths
in a thicket of new veins,
and whoever his pain pains will feel that pain forever
and whoever is afraid of death will carry it on his shoulders.

One day
the horses will live in the saloons
and the enraged ants
will throw themselves on the yellow skies that take refuge in the
eyes of cows.

Another day
we will watch the preserved butterflies rise from the dead
and still walking through a country of gray sponges and silent boats
we will watch our ring flash and roses spring from our tongue.
Careful! Be careful! Be careful!
The men who still have marks of the claw and the thunderstorm,
and that boy who cries because he has never heard of the invention
of the bridge,
or that dead man who possesses now only his head and a shoe,
we must carry them to the wall where the iguanas and the snakes
are waiting,
where the bear's teeth are waiting,
where the mummified hand of the boy is waiting,
and the hair of the camel stands on end with a violent blue shudder.

Nobody is sleeping in the sky. Nobody, nobody.
Nobody is sleeping.
If someone does close his eyes,
a whip, boys, a whip!
Let there be a landscape of open eyes
and bitter wounds on fire.
No one is sleeping in this world. No one, no one.
I have said it before.

No one is sleeping.
But if someone grows too much moss on his temples during the
night,
open the stage trapdoors so he can see in the moonlight
the lying goblets, and the poison, and the skull of the theaters.

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I Am Waiting . . .

₪₪₪₪₪₪₪₪₪₪₪₪

I Am Waiting
by Lawrence Ferlinghetti
~ ~ ~ ~
I am waiting for my case to come up
and I am waiting
for a rebirth of wonder
and I am waiting for someone
to really discover America
and wail
and I am waiting
for the discovery
Of a new symbolic western frontier
and I am waiting
for the American Eagle
to really spread its wings
and straighten up and fly right
and I am waiting for the Age of Anxiety
to drop dead
and I am waiting
for the war to be fought
which will make the world safe
for anarchy
and I am waiting for the final withering away
of all governments
and I am perpetually awaiting
a rebirth of wonder

I am waiting for the second coming
And I am waiting
For a religious revival
To sweep thru the state of Arizona
And I am waiting
For the grapes of wrath to stored
And I am waiting
For them to prove
That God is really American
And I am waiting
To see God on television
Piped into church altars
If they can find
The right channel
To tune it in on
And I am waiting
for the last supper to be served again
and a strange new appetizer
and I am perpetually awaiting
a rebirth of wonder

I am waiting for my number to be called
and I am waiting
for the Salvation Army to take over
and I am waiting
for the meek to be blessed
and inherit the earth
without taxes
and I am waiting
for forests and animals
to reclaim the earth as theirs
and I am waiting
for a way to be devised
to destroy all nationalisms
without killing anybody
and I am waiting
for linnets and planets to fall like rain
and I am waiting for lovers and weepers
to lie down together again
in a new rebirth of wonder

I am waiting for the great divide to be crossed
and I anxiously waiting
For the secret of eternal life to be discovered
By an obscure practitioner
and I am waiting
for the storms of life
to be over
and I am waiting to set sail for happiness
and I am waiting
for a reconstructed Mayflower
to reach America
with its picture story and TV rights
sold in advance to the natives
and I am waiting
for the lost music to sound again
in the Lost Continent
in a new rebirth of wonder

I am waiting for the day
that maketh all things clear
and I am waiting for retribution
for what America did to Tom Sawyer
and I am waiting
for the American Boy
to take off Beauty's clothes
and get on top of her
and I am waiting
for Alice in Wonderland
to retransmit to me
her total dream of innocence
and I am waiting
for Childe Roland to come
to the final darkest tower
and I am waiting for Aphrodite
to grow live arms
at a final disarmament conference
in a new rebirth of wonder

I am waiting
to get some intimations
of immortality
by recollecting my early childhood
and I am waiting
for the green mornings to come again
for some strains of unpremeditated art
to shake my typewriter
and I am waiting to write
the great indelible poem
and I am waiting
for the last long rapture
and I am perpetually waiting
for the fleeting lovers on the Grecian Urn
to catch each other at last
and embrace
and I am awaiting
perpetually and forever
a renaissance of wonder

© 1958 Lawrence Ferlinghetti
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Alabanza by Martín Espada

Isabella; or, The Pot of Basil

Painting by William Holman Hunt

Isabella; or, The Pot of Basil by John Keats
A Story from Boccaccio


I.
FAIR Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love’s eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.

II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.

III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn’d to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.

IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
“To morrow will I bow to my delight,
“To-morrow will I ask my lady’s boon.”—
“O may I never see another night,
“Lorenzo, if thy lips breathe not love’s tune.”—
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;

V.
Until sweet Isabella’s untouch’d cheek
Fell sick within the rose’s just domain,
Fell thin as a young mother’s, who doth seek
By every lull to cool her infant’s pain:
“How ill she is,” said he, “I may not speak,
“And yet I will, and tell my love all plain:
“If looks speak love-laws, I will drink her tears,
“And at the least ’twill startle off her cares.”

VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls’d resolve away—
Fever’d his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!

VII.
So once more he had wak’d and anguished
A dreary night of love and misery,
If Isabel’s quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush’d; so, lisped tenderly,
“Lorenzo!”—here she ceas’d her timid quest,
But in her tone and look he read the rest.

VIII.
“O Isabella, I can half perceive
“That I may speak my grief into thine ear;
“If thou didst ever any thing believe,
“Believe how I love thee, believe how near
“My soul is to its doom: I would not grieve
“Thy hand by unwelcome pressing, would not fear
“Thine eyes by gazing; but I cannot live
“Another night, and not my passion shrive.

IX.
“Love! thou art leading me from wintry cold,
“Lady! thou leadest me to summer clime,
“And I must taste the blossoms that unfold
“In its ripe warmth this gracious morning time.”
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June’s caress.

X.
Parting they seem’d to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other’s heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey’d dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy’d his fill.

XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.

XII.
Were they unhappy then?—It cannot be—
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus’ spouse
Over the pathless waves towards him bows.

XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella’s was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm’d, this truth is not the less—
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.

XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver’d loins did melt
In blood from stinging whip;—with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.

XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush’d blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn’d an easy wheel,
That set sharp racks at work, to pinch and peel.

XVI.
Why were they proud? Because their marble founts
Gush’d with more pride than do a wretch’s tears?—
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?—
Why were they proud? Because red-lin’d accounts
Were richer than the songs of Grecian years?—
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?

XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast forests—the untired
And pannier’d mules for ducats and old lies—
Quick cat’s-paws on the generous stray-away,—
Great wits in Spanish, Tuscan, and Malay.

XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo’s eye
A straying from his toil? Hot Egypt’s pest
Into their vision covetous and sly!
How could these money-bags see east and west?—
Yet so they did—and every dealer fair
Must see behind, as doth the hunted hare.

XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern’s tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.

XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is done—succeed the verse or fail—
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.

XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov’d him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister’s love be blithe and glad,
When ’twas their plan to coax her by degrees
To some high noble and his olive-trees.

XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix’d upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.

XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o’er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
“You seem there in the quiet of content,
“Lorenzo, and we are most loth to invade
“Calm speculation; but if you are wise,
“Bestride your steed while cold is in the skies.

XXIV.
“To-day we purpose, ay, this hour we mount
“To spur three leagues towards the Apennine;
“Come down, we pray thee, ere the hot sun count
“His dewy rosary on the eglantine.”
Lorenzo, courteously as he was wont,
Bow’d a fair greeting to these serpents’ whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman’s dress.

XXV.
And as he to the court-yard pass’d along,
Each third step did he pause, and listen’d oft
If he could hear his lady’s matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.

XXVI.
“Love, Isabel!” said he, “I was in pain
“Lest I should miss to bid thee a good morrow:
“Ah! what if I should lose thee, when so fain
“I am to stifle all the heavy sorrow
“Of a poor three hours’ absence? but we’ll gain
“Out of the amorous dark what day doth borrow.
“Good bye! I’ll soon be back.”—“Good bye!” said she:—
And as he went she chanted merrily.

XXVII.
So the two brothers and their murder’d man
Rode past fair Florence, to where Arno’s stream
Gurgles through straiten’d banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers’ faces in the ford did seem,
Lorenzo’s flush with love.—They pass’d the water
Into a forest quiet for the slaughter.

XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in loneliness—is ill at peace
As the break-covert blood-hounds of such sin:
They dipp’d their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.

XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta’en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow’s weed,
And ’scape at once from Hope’s accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.

XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o’er the luxury alone:
His image in the dusk she seem’d to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, “Where? O where?”

XXXI.
But Selfishness, Love’s cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest—
Not long—for soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.

XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,

XXXIII.
Because Lorenzo came not. Oftentimes
She ask’d her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom’s vale;
And every night in dreams they groan’d aloud,
To see their sister in her snowy shroud.

XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather’d pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.

XXXV.
It was a vision.—In the drowsy gloom,
The dull of midnight, at her couch’s foot
Lorenzo stood, and wept: the forest tomb
Had marr’d his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.

XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid’s harp unstrung;
And through it moan’d a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.

XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken’d time,—the murderous spite
Of pride and avarice,—the dark pine roof
In the forest,—and the sodden turfed dell,
Where, without any word, from stabs he fell.

XXXVIII.
Saying moreover, “Isabel, my sweet!
“Red whortle-berries droop above my head,
“And a large flint-stone weighs upon my feet;
“Around me beeches and high chestnuts shed
“Their leaves and prickly nuts; a sheep-fold bleat
“Comes from beyond the river to my bed:
“Go, shed one tear upon my heather-bloom,
“And it shall comfort me within the tomb.

XXXIX.
“I am a shadow now, alas! alas!
“Upon the skirts of human-nature dwelling
“Alone: I chant alone the holy mass,
“While little sounds of life are round me knelling,
“And glossy bees at noon do fieldward pass,
“And many a chapel bell the hour is telling,
“Paining me through: those sounds grow strange to me,
“And thou art distant in Humanity.

XL.
“I know what was, I feel full well what is,
“And I should rage, if spirits could go mad;
“Though I forget the taste of earthly bliss,
“That paleness warms my grave, as though I had
“A Seraph chosen from the bright abyss
“To be my spouse: thy paleness makes me glad;
“Thy beauty grows upon me, and I feel
“A greater love through all my essence steal.”

XLI.
The Spirit mourn’d “Adieu!”—dissolv’d, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella’s eyelids ache,
And in the dawn she started up awake;

XLII.
“Ha! ha!” said she, “I knew not this hard life,
“I thought the worst was simple misery;
“I thought some Fate with pleasure or with strife
“Portion’d us—happy days, or else to die;
“But there is crime—a brother’s bloody knife!
“Sweet Spirit, thou hast school’d my infancy:
“I’ll visit thee for this, and kiss thine eyes,
“And greet thee morn and even in the skies.”

XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv’d, she took with her an aged nurse,
And went into that dismal forest-hearse.

XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife.—“What feverous hectic flame
“Burns in thee, child?—What good can thee betide,
“That thou should’st smile again?”—The evening came,
And they had found Lorenzo’s earthy bed;
The flint was there, the berries at his head.

XLV.
Who hath not loiter’d in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin’d bones, and funeral stole;
Pitying each form that hungry Death hath marr’d,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.

XLVI.
She gaz’d into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem’d to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.

XLVII.
Soon she turn’d up a soiled glove, whereon
Her silk had play’d in purple phantasies,
She kiss’d it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant’s cries:
Then ’gan she work again; nor stay’d her care,
But to throw back at times her veiling hair.

XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour’d at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.

XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel’s song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:—O turn thee to the very tale,
And taste the music of that vision pale.

L.
With duller steel than the Persèan sword
They cut away no formless monster’s head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss’d it, and low moan’d.
’Twas love; cold,—dead indeed, but not dethroned.

LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm’d its wild hair with a golden comb,
And all around each eye’s sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench’d away:—and still she comb’d, and kept
Sighing all day—and still she kiss’d, and wept.

LII.
Then in a silken scarf,—sweet with the dews
Of precious flowers pluck’d in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,—
She wrapp’d it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover’d it with mould, and o’er it set
Sweet Basil, which her tears kept ever wet.

LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten’d it with tears unto the core.

LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.

LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to us—O sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.

LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.

LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!—
It may not be—those Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder’d that such dower
Of youth and beauty should be thrown aside
By one mark’d out to be a Noble’s bride.

LVIII.
And, furthermore, her brethren wonder’d much
Why she sat drooping by the Basil green,
And why it flourish’d, as by magic touch;
Greatly they wonder’d what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love’s delay.

LIX.
Therefore they watch’d a time when they might sift
This hidden whim; and long they watch’d in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.

LX.
Yet they contriv’d to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo’s face:
The guerdon of their murder they had got,
And so left Florence in a moment’s space,
Never to turn again.—Away they went,
With blood upon their heads, to banishment.

LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to us—O sigh!
Spirits of grief, sing not your “Well-a-way!”
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta’en away her Basil sweet.

LXII.
Piteous she look’d on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
’Twas hid from her: “For cruel ’tis,” said she,
“To steal my Basil-pot away from me.”

LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass’d:
Still is the burthen sung—“O cruelty,
“To steal my Basil-pot away from me!”

André Breton ~ Poem . . .

André Breton, founder of the Surrealist movement, was one of the most important figures in 20th century art. This selection includes two parts of his cycle of love poems, The Air of the Water.

"In the beautiful half-light of 1934"

The air was a splendid pink the color of red mullet
And the forest when I prepared to enter it
Began with a tree with cigarette paper leaves
Because I was waiting for you
And if you come for a walk with me
No matter where
Your mouth is the incredible all-spice
From which the blue wheel diffuse and broken endlessly sets out and rises
Turning pale in the rut
All the marvels hurried to meet me
A squirrel had come to press its white belly against my heart
I don't know how he made himself do it
But the earth was filled with reflections deeper than those in water
As if metal had finally shaken off its shell
And you lying on the frightening ocean of precious gems
Were turning
Naked
In a huge sun of fireworks
I saw you slowly evolving from the radiolarians
Even the shells of the sea urchins I was there
Wait a minute I wasn't there any more
I had raised my head because the living jewel box of white velvet had left me
And I was sad
The sky between the leaves was shining haggard and hard like a dragonfly
I was going to shut my eyes
When two wooden booms which had suddenly swung apart came crashing down
Without a sound
Like the two center leaves of an immense lily-of-the-valley
Of a flower capable of containing the whole night
I was where you see me now
In the set-all-the-bells-a-ringing perfume
Before they could return as they do each day to fickle life
I just had time to place my lips
On your glass thighs

"I dream I see you endlessly superimposed upon yourself"

You're sitting on the high coral stool
In front of your mirror always in its first quarter
Two fingers on the water wing of your comb
And at the same time
You're returning from a journey you're lingering the last one left in the grotto
Streaming with lightning
You don't recognize me
You're stretched out on the bed you wake up or you fall asleep
You wake up where you went to sleep or somewhere else
You're naked the elderberry ball bounces again
A thousand elderberry balls hum above you
So light that at each instant you're unaware of them
Your breath your blood saved from the crazy juggling of the air
You cross the street the cars hurled at you are nothing but their shadows
And as a
Little girl
Caught in a bellows of sparkles
You jump rope
Long enough so that the one green butterfly which haunts the peaks of Asia
Can appear at the top of the invisible stairway
I caress everything that was you
In everything that's yet to be you
I hear the melodious hissing
Of your limitless limbs
The one serpent in all the trees
Your arms at whose center the crystal of the compass rose turns
My living fountain of Shivas
____________________________
Two sections from The Air of the Water by André Breton,
translated by Bill Zavatsky and Zack Rogow, excerpted from
Earthlight by André Breton, recently reissued by Sun and Moon Press.
Translation © 1993 by Bill Zavatsky and Zack Rogow.
Poems © 1966 Editions Gallimard.
http://www.poetrymagazine.com/archives/2000/April00/breton.htm

•:*:• Lady With A Fan •:*:•

Lady With A Fan
Lyrics: Robert Hunter
Music: Jerry Garcia
~ ~ ~ ~ ~ ~ ~ ~

Let my inspiration flow, in token rhyme suggesting rhythm
That will not forsake me, till my tale is told and done
While the fire lights aglow, strange shadows from the flames will grow
Till things we've never seen will seem familiar

Shadows of a sailor forming winds both foul and fair, all swarm
Down in Carlisle he loved a lady many years ago
Here beside him stands a man, a soldier by the looks of him,
Who came through many fights, but lost at love

While the story teller speaks, a door within the fire creaks,
Suddenly flies open, and a girl is standing there
Eyes alight, with glowing hair, all that fancy paints as fair
She takes her fan and throws it in the lion's den

Which of you to gain me, tell, will risk uncertain pains of hell?
I will not forgive you if you will not take the chance
The sailor gave at least a try; the soldier, being much too wise,
Strategy was his strength, and not disaster

The sailor, coming out again, the lady fairly leapt at him
That's how it stands today. You decide if he was wise
The story teller makes no choice, soon you will not hear his voice
His job is to shed light, and not to master


(PleaseNote: You can hear the song sung below this post)

Alabanza by Martín Espada

Alabanza: In Praise of Local 100

for the 43 members of Hotel Employees and Restaurant Employees
Local 100, working at the Windows on the World restaurant,
who lost their lives in the attack on the World Trade Center

Alabanza. Praise the cook with a shaven head
and a tattoo on his shoulder that said Oye,
a blue-eyed Puerto Rican with people from Fajardo,
the harbor of pirates centuries ago.
Praise the lighthouse in Fajardo, candle
glimmering white to worship the dark saint of the sea.
Alabanza. Praise the cook's yellow Pirates cap
worn in the name of Roberto Clemente, his plane
that flamed into the ocean loaded with cans for Nicaragua,
for all the mouths chewing the ash of earthquakes.
Alabanza. Praise the kitchen radio, dial clicked
even before the dial on the oven, so that music and Spanish
rose before bread. Praise the bread. Alabanza.

Praise Manhattan from a hundred and seven flights up,
like Atlantis glimpsed through the windows of an ancient aquarium.
Praise the great windows where immigrants from the kitchen
could squint and almost see their world, hear the chant of nations:
Ecuador, México, Republica Dominicana,
Haiti, Yemen, Ghana, Bangladesh.
Alabanza. Praise the kitchen in the morning,
where the gas burned blue on every stove
and exhaust fans fired their diminutive propellers,
hands cracked eggs with quick thumbs
or sliced open cartons to build an altar of cans.
Alabanza. Praise the busboy's music, the chime-chime
of his dishes and silverware in the tub.
Alabanza. Praise the dish-dog, the dishwasher
who worked that morning because another dishwasher
could not stop coughing, or because he needed overtime
to pile the sacks of rice and beans for a family
floating away on some Caribbean island plagued by frogs.

Alabanza. Praise the waitress who heard the radio in the kitchen
and sang to herself about a man gone. Alabanza.

After the thunder wilder than thunder,
after the shudder deep in the glass of the great windows,
after the radio stopped singing like a tree full of terrified frogs,
after night burst the dam of day and flooded the kitchen,
for a time the stoves glowed in darkness like the lighthouse in Fajardo,
like a cook's soul. Soul I say, even if the dead cannot tell us
about the bristles of God's beard because God has no face,
soul I say, to name the smoke-beings flung in constellations
across the night sky of this city and cities to come.
Alabanza I say, even if God has no face.

Alabanza. When the war began, from Manhattan and Kabul
two constellations of smoke rose and drifted to each other,
mingling in icy air, and one said with an Afghan tongue:
Teach me to dance. We have no music here.
And the other said with a Spanish tongue:
I will teach you. Music is all we have.

SOR JUANA WORKS IN THE GARDEN

Sor Juana Works In The Garden
By Margaret Atwood
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

Time for gardening again; for poetry: for arms
tip to the elbows in leftover
deluge, hands in the dirt, groping around
among the rootlets, bulbs lost marbles, blind
snouts of worms, cat droppings, Your own future
bones, whatever's down there
supercharged, a dim neon in the darkness.
When you stand on bare earth in your hare feet
and the lightning whips through you, two ways
at once, they say you are grounded,
and that's what poetry is: a hot wire.
You might as well stick a fork
in a wall socket. So don't think it's just about flowers.
Though it is, in a way.
You spent this morning among the bloodsucking
perennials, the billowing peonies,
the lilies building to outburst,
the leaves of the foxgloves gleaming like hammered
copper, the static crackling among the spiny columbines.
Scissors, portentous trowel, the wheelbarrow
yellow and inert, the grassblades
whispering like ions, You think it wasn't all working
up to something? You ought to have worn rubber
gloves. Thunder budding in the spires of lupins,
their clumps and updrafts, pollen and resurrection
unfolding from each restless nest
of petals. Your arms hum, the hair
stands up on them; just one touch and you're struck.
It's too late now, the earth splits open,
the dead rise, purblind and stumbling
in the clashing of last-day daily
sunlight, furred angels crawl
all over you like swarming bees, the maple
trees above you shed their deafening keys
to heaven, your exploding
syllables litter the lawn.

Helen of Troy Does Countertop Dancing

Helen of Troy Does Countertop Dancing
By Margaret Atwood
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.

I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worse suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshippers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretence
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slab of ham,
but I come from the province of the gods
where meanings are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mother was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.

Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look--my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.

The Monkey

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The Monkey
By Vladislav Felitsianovich Hodasevich

The heat was fierce. Great forests were on fire.
Time dragged its feet in dust. A cock was crowing
in an adjacent lot.
..............................As I pushed open
my garden-gate I saw beside the road
a wandering Serb asleep upon a bench
his back against the palings. He was lean
and very black, and down his half-bared breast
there hung a heavt silver cross, diverting
the trickling sweat.
.................................Upon the fence above him,
clad in a crimson petticoat, his monkey
sat munching greedily the dusty leaves
of a syringa bush; a leathern collar
drawn backwards by its heavy chain bit deep
into her throat.
..........................Hearing me pass, the man
stirred, wiped his face, and asked me for some
....water.
He took one sip to see whether the drink
was not too cold, then placed a saucerful
upon the bench, and, instantly, the monkey
slipped down and clasped the saucer with both
....hands
dipping her thumbs; then, on all fours, she drank,
her elbows pressed against the bench, her chin
touching the boards, her backbone arching higher
than her bald head. Thus, surely, did Darius
bend to a puddle on the road when fleeing
from Alexander's thundering phalanges.

When the last drop was sucked the monkey swept
the saucer off the bench, and raised her head,
and offered me her black wet little hand.
Oh, I have pressed the fingers of great poets,
leaders of men, fair women, but no hand
had ever been so exquisitely shaped
nor had touched mine with such a thrill of kinship,
and no man's eyes had peered into my soul
with such deep wisdom...Legends of lost ages
awoke in me thanks to that dingy beast
and suddenly I saw life in its fullness
and with a rush of wind and wave of worlds
the organ music of the universe
boomed in my ears, as it had done before
in immemorial woodlands.
..............................................And the Serb
then went his way thumping his tambourine:
on his left shoulder, like an Indian prince
upon an elephant, his monkey swayed.
A huge incarnadine but sunless sun
hung in a milky haze. The sultry summer
flowed endlessly upon the wilting wheat.

That day the war broke out, that very day.


Translated from the Russian by Vladimir Nabokov

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۝ There is no Frigate like a Book ۝

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

There is no Frigate like a Book
To take us Lands away
Nor any Coursers like a Page
Of prancing Poetry --
This Traverse may the poorest take
Without oppress of Toll --
How frugal is the Chariot
That bears the Human soul.

By Emily Dickinson

₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪

۩ ۞ ۝ ♥ The Bed Book ۩ ۝ ۞ ♥

from The Bed Book by Sylvia Plath

Most Beds are Beds
For sleeping or resting,
But the best Beds are much
More interesting!

Not just a white little
Tucked-in-tight little
Nighty-night little
Turn-out-the light little
……….Bed –

………Instead
A Bed for Fishing,
A Bed for Cats,
A Bed for a Troupe of
………Acrobats.

The right sort of Bed
(If you see what I mean)
Is a bed that might
Be a Submarine

Nosing through water
Clear and green,
Silver and glittery
As a sardine.

Or a Jet-Propelled Bed
For visiting Mars
With mosquito nets
For the shooting stars
…................

For Sidney Bechet

▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼

For Sidney Bechet
By Philip Larkin
~ ~ ~ ~ ~ ~ ~ ~

That note you hold, narrowing and rising, shakes
Like New Orleans reflected on the water,
And in all ears appropriate falsehood wakes,

Building for some a legendary Quarter
Of balconies, flower-baskets and quadrilles,
Everyone making love and going shares--

Oh, play that thing! Mute glorious Storyvilles
Others may license, grouping around their chairs
Sporting-house girls like circus tigers (priced

Far above rubies) to pretend their fads,
While scholars manqués nod around unnoticed
Wrapped up in personnels like old plaids.

On me your voice falls as they say love should,
Like an enormous yes. My Crescent City
Is where your speech alone is understood,

And greeted as the natural noise of good,
Scattering long-haired grief and scored pity.

▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼

۝ Snake ۝

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

Snake
By Theodore Roethke
~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~

I saw a young snake glide
Out of the mottled shade
And hang, limp on a stone:
A thin mouth, and a tongue
Stayed, in the still air.

It turned; it drew away;
Its shadow bent in half;
It quickened and was gone

I felt my slow blood warm.
I longed to be that thing.
The pure, sensuous form.

And I may be, some time.

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

۝ If I Could Tell You ۝

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

If I Could Tell You
By W.H. Auden
~ ~ ~ ~ ~ ~ ~ ~

Time will say nothing but I told you so,
Time only knows the price we have to pay;
If I could tell you I would let you know.

If we should weep when clowns put on their show,
If we should stumble when musicians play,
Time will say nothing but I told you so.

There are no fortunes to be told, although,
Because I love you more than I can say,
If I could tell you I would let you know.

The winds must come from somewhere when they blow,
There must be reasons why the leaves decay;
Time will say nothing but I told you so.

Perhaps the roses really want to grow,
The vision seriously intends to stay;
If I could tell you I would let you know.

Suppose all the lions get up and go,
And all the brooks and soldiers run away;
Will Time say nothing but I told you so?
If I could tell you I would let you know.

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

۝ Mushrooms ۝

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

Mushrooms
By Sylvia Plath
~ ~ ~ ~ ~ ~ ~ ~

Overnight, very
Whitely, discreetly,
Very quietly

Our toes, our noses
Take hold on the loam,
Acquire the air.

Nobody sees us,
Stops us, betrays us;
The small grains make room.

Soft fists insist on
Heaving the needles,
The leafy bedding,

Even the paving.
Our hammers, our rams,
Earless and eyeless,

Perfectly voiceless,
Widen the crannies,
Shoulder through holes. We

Diet on water,
On crumbs of shadow,
Bland-mannered, asking

Little or nothing.
So many of us!
So many of us!

We are shelves, we are
Tables, we are meek,
We are edible,

Nudgers and shovers
In spite of ourselves.
Our kind multiplies:

We shall by morning
Inherit the earth.
Our foot's in the door.

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

۝ Hymn To Apollo ۝

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝

Hymn To Apollo
By John Keats
~ ~ ~ ~ ~ ~ ~

GOD of the golden bow,
And of the golden lyre,
And of the golden hair,
And of the golden fire,
Charioteer
Of the patient year,
Where---where slept thine ire,
When like a blank idiot I put on thy wreath,
Thy laurel, thy glory,
The light of thy story,
Or was I a worm---too low crawling for death?
O Delphic Apollo!

The Thunderer grasp'd and grasp'd,
The Thunderer frown'd and frown'd;
The eagle's feathery mane
For wrath became stiffen'd---the sound
Of breeding thunder
Went drowsily under,
Muttering to be unbound.
O why didst thou pity, and beg for a worm?
Why touch thy soft lute
Till the thunder was mute,
Why was I not crush'd---such a pitiful germ?
O Delphic Apollo!

The Pleiades were up,
Watching the silent air;
The seeds and roots in Earth
Were swelling for summer fare;
The Ocean, its neighbour,
Was at his old labour,
When, who---who did dare
To tie for a moment, thy plant round his brow,
And grin and look proudly,
And blaspheme so loudly,
And live for that honour, to stoop to thee now?
O Delphic Apollo!

۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝~۝